Completion of Instruction 2 enabled first investigation of the locations from which Windham wrote his letters within Volume 1. Of the 49 letters he wrote, 25 included listed addresses from 10 different locations, 4 of which were from his home of Felbrigg Hall in Norwich. Taking the idea that Windham would have departed and returned from his home at Felbrigg Hall, I used this as the starting point, and began by listing the distance of each town recorded from the Hall. When only streets were listed, I used known information about the life of Windham to determine which town the street may be from the list of options provided on Google Maps! This resulted in addresses in Glasgow, where Windham was a student, the Netherlands, and a further 2 in London, including one of the oldest Gentleman clubs in London!
Utalising this system of distance, I constructed a network of lines radiating from and back to the library windows at Felbrigg Hall to catalogue additional places of writing. The original library stamp from Christ Church, Oxford provided an opportunity to present a key to each location and record the number of times that a letter was written from each address.
Written note from PW to TM posted 10.15am – 12 July 2017
Develop a system to catalogue the known addresses from where Windham wrote his letters.
Having identified each page where an address was in evidence – 89 in total with 14 different locations, my first task was to work out the percentage of letters sent from each particular place. I researched into each location and in many instances was able to pinpoint the actual number of the street where Windham lived, however this information was incomplete as sometimes he listed just a place name not a full address, so this was sadly not a route I could develop further. Instead I considered how each place could be categorized; whilst colour-coding seemed an obvious starting point, I quickly realized that this may be confused with the system adopted in instruction 2. Next I started to explore the potential of using actual maps, and by reflecting on the methodology adopted in instruction 4 – which had been relatively successful – began to examine how I could use a similar system to depict the hierarchical nature of the addresses.
Using a modern road atlas I highlighted each place name within approximately a 2.5cm square section; the number of times that the location appeared within the book determined the percentage by which the square section was then enlarged. The colour copies of the map were then wrapped around the edge of each relevant page using a system of alignment. What is perhaps less successful than the way this process worked in the previous instruction, is the fact that incrementally the difference between each place name is at times limited, therefore it doesn’t allow a real sense of scale to be established.
Having used the covers of the book for a previous instruction, I wanted to use the spine as a vehicle for cataloguing each place, the numeric value of each location is represented by a small roundel punched from the same map section used within the book pages.
Taking an idea from the given word connection, I began by exploring potential links with previous responses and reflected upon the similarities and differences within this instruction and the last. I considered how I might draw upon making practices employed within my response to instruction 3 to undertake instruction 4. The similarity of scale and placement of the portraits enabled a returning to the idea of the Oxford frame. Within this response I chose to remove the shape of the frame to amplify a lack of connection to Windham. I also returned to the idea of printing multiple initials to decorate the back of the portrait pages embellishing these with gold leaf to further illuminate the gaps in between the individual letters which I had previously filled with the initials of William Windham in instruction 3. With a further reference to the notion of illuminating, and historical illuminated letters, I made use of the paper removed from the book in cutting out the Oxford frame and embellished these with emerging connections with Windham’s life, loves and letters. These are placed decoratively within the original portrait and will be made use of again to embellish the list of illustrations at the front of Vol.1