In the past two months work commitments have impacted on any opportunity to discuss our collaborative pratice; however a pre-arranged FaceTime meeting offered us the chance to
reflect on what is important to us individually and to bring these thoughts and ideas ‘to the
The discussion started with what could be deemed as the ‘failure’ of our most recent collaboration, The Blue Book, however it was clear that we could take some valuable lessons from the project; it re-iterated the fact that the ‘altered book’ is not our favoured genre and starting a project with no particular purpose, or emotional (or personal) attachment to it, hindered our commitment to the process. Therefore our first decision was not to explore this type of project again!
T expressed concerns around returning to known practice, and producing books that, although may have commercial appeal, may limit our making to repetitive/expected outcomes. We both agreed that it was important to continue to challenge our working methodologies.
We articulated the need to address a particular aspect of our individual practice – whilst T had enjoyed the research and process element of previous projects, she felt the development of imagery had not always been as successful, therefore it was important for her to address this. P recognised that recent projects had led to an emphasis on book content rather than book structure, and therefore it was important to explore and develop this further. We recognized that this could be the starting point of the project and started to discuss a range of themes which included: the ‘Hear her’ radio series, keepsakes, hidden messages within garments (inspired by the Phantom Thread film), cataloguing aspects of our meeting in the middle project, inheritance, domesticity and MA practice.
It became clear that with our new individual aims, we could still explore our joint areas of interest without compromising the integrity of our practice; therefore we will look to develop a body of work based around the idea of evocative objects and the memories we attach to either the object or the original owner of the object (namely grandparents).