bits of blue

C9 & Moving Forward

Having agreed to the content of a new project, a series of 9 email exchanges alongside 34 text messages over 16 days has enabled us to take some steps forward.

Decision making began with the organisation of all found fragments as a labelled photograph which was shared by P via email. This enabled the individual selection of 4 pieces of china each to be represented in the book. Whilst we both later admitted to making this selection without using any pre-determined system or pattern, interestingly one choice overlapped and C9 was chosen by both of us.

The exchange of written conversations has enabled a different form of decision making to take place, and the thinking through of ideas has been undertaken as questions inviting comments. This open ended approach has resulted in the shared clarification of design decisions and technical details. The use of photographs within emails from P has very much supported this process and mock ups of the final books were presented alongside written ideas. This aided decision making around choice of scale and presentation of the final 2 books. The final email decision centred around choices connected to the positioning of each fragment within the book. In response to this a tracing will be made to document the arrangement of fragments so that both of us work to the same format.

P has sent me the selected 8 fragments so that I can explore the positioning of each piece to document their discovery within the ground and make tracings which we both can use. I am keen to develop my own printmaking practice and will take on board compositional formats seen in A Slice through the World, the recent exhibition at Modern Art Oxford (https://www.modernartoxford.org.uk/event/a-slice-through-the-world/) In particular I will draw upon the ‘floating’ compositions seen in the work of Lucy Skaer and ‘overlapping’ compositions seen in the work of Kate Davies within the construction of a drypoint background for the fragments.

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Unearthing a New Idea

p china

Our main focus in recent months has been the forthcoming SPF and the opportunity this offers us to exhibit new work. Whilst we were both keen to pursue the button box idea, the project had been progressing slowly and failing to gather momentum, it was during this interim period that some chance findings led to a potential new project.

Whilst digging a large proportion of garden in a recently purchased property, fragments of china started to be unearthed on a relatively regular basis – the natural reaction to these findings was to remove them and save each piece. When researching further it seemed that these garden discoveries were not uncommon:

http://daughterofthesoil.blogspot.com/2008/01/things-we-dig-up-in-garden.html

https://www.theguardian.com/commentisfree/2008/jan/26/leadersandreply.mainsection2

As the collection began to grow, it seemed that these fragments could form the basis for a new book.

The idea was proposed to T, who was immediately enthusiastic about the idea, and had unknowingly found similar relics within her own garden; it seemed that this was the break-through we needed in developing our next collaborative project, and a FaceTime meeting was arranged.

t china

T started the discussion by putting the time schedule (until SPF) into perspective, this was followed by a proposal that addressed both the desire to produce new work for the London, alongside our previous aim to produce a book which enabled us time to develop and experiment with visual style and structure.

The proposal – which was readily agreed – was to produce two books.

Book one will be a simple concertina fold, with both structure and medium being inspired by a recent visit to an exhibition at Modern Art Oxford. As the discussion developed, it was decided that a pair of simple books would enable us to both work individually on an edition that when seen together would work as a whole. The books will be informed by some aspects of previous practice, cataloguing for instance, and we are interested to explore how archeological finds are recorded and displayed.

For book two we will use a different method of research gathering– namely the Small Publishers Fair event. T recognized that such events always provoke conversation and discussion around specific book themes. Therefore the aim is to engage with friends, fellow exhibitors and the public to seek their reaction, response and comment to book one. It is hoped that these findings will inform the content for book two. In preparation for SPF we will explore a range of possible questions.