altered book

Intersect divided

Despite the various ups and downs of the intersect project, we now seem to be back on track. With my sections of the book typed and sent to T – using recorded delivery (to ensure against further losses!); I have been able to move on to the covers, whilst T begins the typing of her sections, whenever she gets some spare time… thanks to the portable typewriter!
We are using the covers from my book but the (new) title has been taken from the title page of T’s book. The initial idea for the front cover was to translate the title using code, however the symbols +*=:/ are not all available as wood type, therefore it was decided to overprint the full title using black ink to reflect the typed code of the inner pages. The inscription from T’s original book was also letterpress printed, this time using red to reflect the second colour of the typing, it was placed in the same position as the original book – the inside front cover; these processes continue the concept of intersect.

Instruction 2: red blue orange green yellow white purple…

Text message from TM to PW 21.18, 8 May 2017
Catalogue William Windham’s correspondence by constructing/extracting an inventory of recipients. Deadline 22 May

When I first read the second instruction set by T, I wanted to gain a clear understanding of the meaning of inventory, rather than making assumptions, therefore I chose to work with the
interpretation of an inventory as a tally.

Colour coding the individual recipients seemed an obvious way forward, but I wanted the colours to have a resonance with each person; taking inspiration from T’s previous working methodology I started to research all 36 recipients. Whilst Wikipedia was a quick, invaluable resource – many of the recipients were impossible to find, so it became clear that finding a colour that was relevant was going to be a challenge. After studying the work of both Karel Martens and Irma Boom, I started to consider how it maybe possible to combine graphic shapes or pattern with colour; to develop this idea further I turned to the letters themselves for visual clues.

344_karel01

Reading the paper by Kathy Corcoran (subject cataloging workshop, ARLIS/NA, L.A., 31 March 2001) entitled: ‘Many intricate and difficult problems that torture the mind – words of wisdom for art cataloguers in the real world’ – I was mindful of her statement:
Besides knowledge and skill at interpreting and applying rules, we need to call on our judgement,
experience, and intuition, and even occasionally our sense of aesthetics and of what ‘looks right’
to us
.

Although written in relation to library cataloguing I chose to adapt the same approach – this gave me the necessary freedom and flexibility I needed to develop a colour coding system that was more abstract but still had some form of significance (however tenuous).

Whilst part of our research is to determine whether or not working independently will affect the outcome, by the second instruction I am conscious that because we know each so well, and talk regularly, it is difficult not to be aware of T’s various approaches and be influenced by her methods.

+*=:/

Following our Facetime discussion two weeks ago, we have both divided and sent our
respective half books to each other, giving us an opportunity to examine and reflect on
potential directions for Intersect. Having identified that both books used colour keys, tonight’s discussion centered around the idea of applying a similar process to that of the Windham
Papers
, through the development of a key-based system.

The challenge with the cross-stitch books is that they are both largely image based, so we came to the conclusion that by using the text matter, which is more limited, we could allocate a typewriter symbol to the five vowels. We did this by a process of discussion and elimination resulting in the following key: a + e* i= o: u/

The key will enable us to interpret the text through the development of a series of patterns typed on top of the existing book. Due to the sometimes dense nature of the pages, each pattern will be typed in red in response to whatever space is available; to enable a greater sense of hierarchy, headings will be letterpress printed in a different colour using the same key. We’ll each attempt a sample page before we meet in a week’s time. A decision regarding the schedule and book structure will made once we are satisfied that the idea is feasible.